(121 posts)
Sep 1, 2009 11:57 am
Sean Ashby wrote:...I suppose we have to look for other reasons for wearing hakama, or any of it, really. What does it do for our practice? our mindset? And those may vary, and be very personal. I have mine, but they may not be everyone's.
I certainly agree with this. The reasons for doing hakama or not can be very personal and difficult to talk about.
I personally hate the hakama. We wore hakama regularly for a couple of years and found them to be hot, uncomfortable, and inconvenient. We didn't perceive any benefits so we stopped. As often as not we wear shorts and teeshirts (or when it's cold, sweatsuits under our gis.)
Notice, I'm not accusing y'all of "playing dress up." It's cool with me if y'all wear them or not. But I thought I'd respond to a couple o things y'all mentioned in this thread.
Eric started it out referencing Nick talking about how we're perceived by other artists. I personally think that the hakama is detrimental to our perception. It is seen as being "dress-up", silly, and pretentious. Perhaps that is just the perception of the ignorant, but I think that perception does exist out there. It seems to me that so far as "dress up" goes, the candy stripe belt is more widely acceptable than the hakama (though i'll readily admit that it's not as cool as the black belt).
Regarding Eric's point that it looks better on film because it hides awkward human stepping... I can't think of a better reason not to wear the thing. I'd rather not hide my mistakes - makes them harder to fix. Also, as it hides mistakes it also hides your instruction from your students.
again, y'all are all cool with me whether you do or dont. I just thought I'd add to the convo...

